How do recent practices evade or scramble the usual divisions of labour in the art world? By John Kelsey

Hans Ulrich Obrist, Co-Director of the Serpentine Gallery in London, on »Villino RomAmor« by Luigi Ontani

Supportico Lopez in Berlin. By Andreas Schlaegel

16 Beaver Group in New York. By Özge Ersoy

American artist Darren Bader in an conversation with Bruce Hainley, discussing food in the arts, the profundity of ancient, and bad curators

Hans-Jürgen Hafner on the apparently systematically »diverse« artistic activity of Berlin based artist

New York artist, founder of the Franklin Furnace and co-founder of the Guerrilla Girls in conversation with Barbara Clausen

What does the Facebook-»Like«-Botton tell us about the way we live now? By Nick Currie

Matthew Post finds similarities between the Ghostbusters and the gentrification of NewYork

On a way of making art distant from that which is considered contemporary. By Adam E. Mendelsohn

Remoteness and enthusiasm. Inés Katzenstein on the art scene of the Argentinian capital

By Benjamin Hirte, Joanna Fiduccia, Bettina Steinbrügge, Nico Vascellari, Raimar Stange

Louise Lawler, New York; Kara Walker, New York; David Salle, London; Mateusz Sadowski, Poznan; Haris Epaminonda, Frankfurt; Fabian Marti, Winterthur; Curated by, Wien; Florian Pumhösl, Wien; Weltraum. Die Kunst und ein Traum, Wien; Stephen Prina, Wien; Kriwet, Innsbruck; Nina Beier, Berlin; Ger van Elk, Berlin; Kateřina Šedá, Bremen, David Lieske, Leipzig

A Belated Dispatch from Glasgow

»Fruits, Flowers, and Clouds« in Vienna