Work is also a four-letter word! Fritz Ostermayer on preventing production

By Ayse Erkmen: Maider López, Mandla Reuter, Dane Mitchell, Ebru Özseçen, Dani Gal

Andreas Schlaegel asks, »Is the time ripe for a 90s revival?«, and searches for new projects in the spirit of Relational Aesthetics

Pierre Bal-Blanc on Sanja Iveković’s Performance »Eve’s Game«

Adam E. Mendelsohn was at Frieze, where he asked himself and others why art fairs are so annoying

Rita Vitorelli talks with Jean-Claude Freymond-Guth, the director of Freymond-Guth and Co. Fine Arts in Zurich

Daniel Baumann on collector James Brett’s recently opened »Museum of Everything« in London

Open space and minimal manipulations. Fouad Asfour on the Austrian artist’s latest work

Nick Currie on the Swiss designer Janette Laverrière, one of the first Modernists

Joanna Fiduccia on »First as Tragedy, Then as Farce«, the newest book by Slovenian philosopher Slavoj Žižek

Wilhelm Schürmann, one of Germany’s most influential collectors. By Andreas Schlaegel

What is the reason for the international success of an institution like the CAC, or a gallery like Tulips & Roses? By Valentinas Klimašauskas

By Ruth Ewans, Robert Fleck, Roger Meier, Sabine Schmidt, Sandrine von Klot

»Morality«, Rotterdam, »Gender Check«, Vienna; »1989« Wien; Elfie Semotan, Vienna; Max Peintner, Wien; Siggi Hofer, Krems; Oscar Muñoz, Linz; steirischer herbst, Graz; »Antirepresentationalism«, Berlin; Monika Baer, Berlin; Joëlle de La Casinière, Potsdam; Georges Seurat, Zurich; Istanbul Biennale, Istanbul; »Russian Arte Povera«, Moscow; »New Photography 2009«, New York