By Artur Zmijewski: Amir Yatziv, Yael Bartana, Joanna Rajkowska, Jacek Adamas, Jacek Malinowski

Whatever Happened to Reality? By Mika Hannula

Gianni Jetzer, Head of the Swiss Institute in New York, about the performance »Manon presents Man«

The newest approach to Lisbon’s gallery landscape: Marz Galeria. By Chris Sharp

Love is the end of art. Nick Currie about his cooperative work with the Japanese artist Aki Sasamoto

Anna Opel on two current publications on current Utopias: Anna Opel über zwei aktuelle Publikation über heutige Utopien: »Avantgarde-Routine« by Thomas Raab and »Bessere Zukunft? Auf der Suche nach den Räumen von Morgen« by Friedrich von Borries, Matthias Böttcher & Florian Heilmeyer

Raimar Stange and Christian Kobald on American art critic Clement Greenberg, the financial crisis, and the crisis in the art world

A radical pioneer of performance art, today forgotten: An interview with Daniel Baumann

Birgit Sonna visited »Vanishing Lessons«, Markus Schinwald’s solo show in the Kunsthaus Bregenz

Light is back in fashion photography. By Joachim Bessing

On Chicago House. By Hans-Jürgen Hafn

»City of Records«: An essay by Raluca Voinea; an interview with Stefan Tiron, a central figure in Bucharest’s art world; brief portraits of the artists H.arta, Ciprian Muresan, Cezar Lazarescu, and Olivia Mihaltianu

Diane Arbus, Paris; »Tate Triennale«, London; Ree Morton, Vienna; »Fotografie und das Unsichtbare 1840–1900«, Vienna; Susanne M. Winterling, Vienna; Eva Grubinger, Salzburg; Antje Majewski, Salzburg; John Armleder, Innsbruck; Enrico David, Basel; »Slow Movement«, Bern; »Creative Growth«, Berlin; »Vorspannkino«, Berlin; »Medium Religion«, Karlsruhe; »Art of Two Germanys«, Los Angeles

By Simon Baier, Rainer Ganahl, Cathérine Hug, Fiona Liewehr, Christoph Thun-Hohenstein